kampocyamuzu:

DEAN MONOGENIS

lickystickypickywe:

Above:
“On the highline my thoughts are simple and clear,” says pioneering rock climber, BASE jumper, and wing suit flyer Dean Potter. “Fundamental needs shine through the mental clutter. I focus completely on my breath, my connection with the line, and making it safely to the other side.” This highline was set up on the summit of Cathedral Peak, in Yosemite National Park, at an elevation of 10,911 feet. Though Potter is untethered, he is in control. “I’ve always been a ‘free soloist.’ Whatever I do, I long to be untethered and free,” notes Potter. “I am completely confident with my ability to catch the line if I were to fall. I’ve practiced this catch move successfully for the past 19 years.”

“Hands down this was the most complicated photo I’ve ever taken,” says photographer Mikey Schaefer.
Schaefer worked throughout the filming of the show, from rigging ropes to operating video cameras, all while shooting still images as well. The image of Potter against the moon stands out from the rest of the shoot. “The whole scenario seemed crazy,” Schaefer says. ”I was over a mile away from my subject, who was walking a tightrope with certain death consequences if he fell. I was running through the woods with $20,000 worth of camera gear, making the most unique photo of my career. I’m still a bit amazed that I managed to stick the shot.” 

Below: 
“Should I grab the stalactite with my hands or turn around on my feet like a real pro?” recalls slackliner-photographer Jared Alden of this moment on an unusual stalactite highline on Koh Yao Noi island in Phuket, Thailand.

After driving through a jungle, wading through a cave system, and climbing the backside of the cave, two team members lowered themselves 120 feet to the base of this stalactite and secured the line about 300 feet above the water. “One of the main challenges for this line was finding an anchor point on the stalactite that was strong enough to hold the slackline … and also wouldn’t drop off the end!” says photographer and slackliner Scott Rogers.

To capture the shot, Rogers hung from a rope adjacent to the highline and used his widest lens to frame both Alden and the cave formations. Rogers had to maneuver around eight other people hanging nearby to get the photo he wanted. But the climate and terrain may have held the biggest challenge. “Thailand was pretty rough on all our gear, from corroded biners to fogged image sensors, but we brought enough of everything to last through the trip,” he says. 

theartofanimation:

Kim Ji-Hyuck (Hanuol)

electrikthunder:

Realistic urban nightscene paintings in motion by Alexandra Pacula. VISIT HER WEBSITE

lickypickystickyfree:

People in Japan have a wild imagination/creativity.

Aged water with 9% alcohol.

Sure.